different cultures. This impact is reflected by our performing many works, like our current production ‘Trouble in Mind,’ which has an ethnically diverse cast,” he said. One production that is a mainstay of Valley theater is the company’s annual production of “Black Nativity,” written by Harlem Renaissance poet Langston Hughes. “It has become the Black Theatre Troupe’s holiday card to the community,” Hemphill said. “It’s performed at a time of year when we’re all looking for something to lift our spirits and help us feel the joy of the season. For many African-American arts organizations around the country, it has become as popular and meaningful a holiday tradition as ‘A Christmas Carol’ or ‘The Nutcracker.’” THE FUTURE 2020 will mark the kickoff to Black Theatre Troupe’s 50 th year, a time for the company to reflect on its roots while looking ahead to its future. As the fifth-largest city in the country, Phoenix needs Black Theatre Troupe more than ever. “With the large influx of people coming to Phoenix from other areas of the country — and most of them from cities that have a vibrant and diverse arts scene — the power of diversity must be at the forefront of what a great city has to offer,” Hemphill said. And so, Black Theatre Troupe is doing all that it can to focus on sustainability so that it can remain a significant piece of the city’s cultural fabric for David Hemphill, Black Theatre Troupe’s longtime executive director ( left ), strives to present timely, relevant productions that will give audiences something to think about, such as the 2017 production of “Caroline, or Change” ( right ). future generations. “This can only happen by concentrating on the financial stability of the group for the next 50 years,” Hemphill said. “It is our goal to expand our programs and grow our audiences and supporters.” Luckily, Black Theatre Troupe has a strong base of support, which Hemphill attributes to the troupe’s ability to stay true to its mission and share the experiences of a culture. But to those who haven’t seen a Black Theatre Troupe production, Hemphill issues this promise. “They will not only be entertained, but they will also be able to learn and understand the power of the arts to shape a community and change minds. They will see some of the country’s most courageous and powerful theater.” To learn more, visit blacktheatretroupe.org . 44 FRONTDOORS MEDIA | FEBRUAR Y 2020 Photo by Laura Durant
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